Showing posts with label Permitting. Show all posts
Showing posts with label Permitting. Show all posts

Monday, July 26, 2010

Variance Finalized in East Cambridge

The area of East Cambridge was declared an official Port of Entry by Congress in 1805. Had it not been for President Jefferson's trade embargo of 1807, Cambridge may today be a major city that overshadows its quaint suburb of Boston. In 1809 East Cambridge opened for industrial development. It's proximity to an elaborate system of canals, the Charles River, Boston Harbor and the Atlantic Ocean made a sensical spot for industries to locate. Andrew Craigie, one of the large Cambridge land owners attracted the county courthouse and jail by offering to donate new buildings in 1814. By 1880 it was the industrial center of Cambridge.
Large soap, glass and furniture factories attracted thousands of Irish immigrants who provided labor and sought housing in the neighborhood. Today, East Cambridge is a mecca for biotech companies but is still a mix of industrial space, county buildings and many historical homes.
Unless you live or work in the neighborhood, even many Cambridge residents may not frequent the neighborhood unless they're going to jury duty, getting a divorce, serving time...or filing a Variance Decision with the Registry of Deeds. Two entire city blocks of commanding brick buildings house the county offices and courthouses and my trip to the Registry reminded me how beautiful this area of Cambridge is.
The Middlesex County Registry of Deeds houses property records going back to 1649. Can you imagine? If there's any metaphor for going through the variance process, I felt it a bottom of this imposing staircase and monumental columns. It seems like a long arduous trek but if you just take one step at a time...another step...and another step...and another step....well, okay, maybe there's more steps here, but taking each little steps gets you closer to the end. (As it turns out, this is the back door, damn it; and the door is locked!) So as soon as I walk back down and around the block to the front entrance, I'll get to the end.

Once inside the building and through the metal detectors needed for the Probate Court, there's a huge open marble space with more massive columns, ornate wrought iron railings, decorative plaster covered with cheap plastic signs about where to go, what to do--mostly what not to do--and overwhelming directories for all the offices in the building. Inside the Registry, a huge open space swarming with activity, filing the Variance Decision was really quite easy. There's an information desk where you take a number, my number was called within 5 minutes and after writing a check for $75, I was on my way with the final document that I can take to the building department to get my building permit.

I'm done! I'm Done! I'M DONE!!

But before we start the party, let's poke around the neighborhood a little bit.
I absolutely love this block of townhouses with Greek Revival porticos. I looked them up in the Harvard database and they were all built the same year as my house. They've got some great details but upon closer inspection, there's some really crazy twists and tilts in the structures.
This porch leans a little to the right. You can see it the most at the bottom left-hand side of the door. The sidelights are original but the door is 1940s I would guess.
This porch leans a little to the left. It's a very nontraditional color but I think it works in this group of homes. It has the same original sidelight with the tiny mullions. Beautiful but not too energy efficient.
And the next one is leaning to the right again. These are definitely replaced sidelights. And all those wires. Can't they do something about that?
This row of brick townhomes are really lovely.
Right now I'm really focusing on sidelights, doors and lighting fixtures which I have to order this week. Remember this combination?
This is actually a Greek Revival--you can tell by the triangle (the pediment) at the top and the wide pilasters (cornerboards) at "hold up" the triangle--but it's been "Victorianized."It still has the original sidelights and transom window but the original columns have been replaced with thinner, decorative columns, dainty fretwork on the corners and sweet railings around the porch. It's totally wrong if you're a purist but it's really sweet in a way.
A local Urban Cottage follower that lives in this neighborhood--hi, Anne!--recommended that I swing by this place to check it out. It's an 1820 building, originally a bank, turned church in the 1920, and now carriage-house style property. I would LOVE to see the inside of this. Can I leave them a note on their door?
And check out the gorgeous light. Doesn't it look like a Chinese ginger jar? I'm noticing a significant number of chinoiserie light fixtures on Greek Revival homes. (Go back and look at the light on the pink "Victorian" Greek Revival) Obviously there was no electricity at the time but the Greek Revival period is still during the time of the Old China Trade so it somehow seems believable that chinoiserie of some kind would find its way into or onto a Greek Revival home.
Here's another house, not really a Greek Revival because there's no pediment or pilasters but it definitely has a Greek Revival Porch. Notice how tightly the houses are packed in. This seems very common in this neighborhood.
They've painted half of the entablature (the massive beam above the columns) red which is really unusual but I'll admit that it beautifully highlights the ionic columns. And I could see in the windows. I'd like an invite to this one too!
Here's another beautifully restored Greek Revival. One thing I notice is that there are many more ionic columns in this neighborhood. They're fancier. And this is one of only a few in this neighborhood that have the front windows that go to the floor. I'm glad I decided to add that detail.
I don't like the sidelights not having mullions but check out the light. A little like an Asian lantern, don't you think?
I'm not sure if this is an authentic Gothic Revival but I love the windows, the amazing sunburst detail up on gable and the bright red door.
And although I focused on public buildings and homes in this post, I just wanted to point out the extremes of the neighborhood by showing you this Frank Geary building at MIT. Geary is more famous for his Walt Disney Concert Hall in Los Angeles and the Guggenheim in Bilbao, Spain, but it's pretty cool to have one in the neighborhood.

So there's a little tour of East Cambridge.

Oh, and if you work at the Registry of Deeds and you're reading this, can you put a stupid sign at the bottom the steps outside your back door?

Tuesday, May 18, 2010

Historical Commission Meeting

My meeting with the Executive Director of the Historical Commission went well...but not a slam dunk. I have to say it was incredibly nice of him to take the time to meet with one lowly homeowner in search of input and support. He opened my blueprints and scanned across the street elevation with his hand, his finger stopping at each of the integral details: the pediment, the windows, the sidelights, the skirt detail around the porch. Each was accompanied by a nod of approval until he got to the columns. "Your columns are undersized," he pointed out. "I was intending to do something much chunkier," I agreed.

"What style columns are you using?"

Uh-oh. A test.

"Fluted doric."

"Well, that would be right."

I guess I passed the test.

I brought up the issue of the expanded living room windows pointing out that we've included an enlarged window in the plans but if we discover the windows did not go to the floor (thinking that would be what the Historical Commission would prefer) and he explained I can't to do that. If I get a variance for a plan with larger windows, that would be what I *have* to do. If I want to keep them the same, I would have to get another variance.

So I guess I'm doing the larger windows. It's a detail I really love so I'll be happy with that even if the cost is greater.

He suggested that I update the plans with more detail. So I had to go back to The Architects to have them tweak the plan.


And here's the new elevation showing the full-figure fluted doric columns. I also had them show a six-panel front door, the top two panels being glass and we've added mullions to the sidelights. It looks better don't you think?

Now I just need to get three new sets of blueprints printed and get the updated plans to the Zoning Board.

Tuesday, May 11, 2010

Notice of Public Hearing


I got a letter from the Zoning Board of Appeals. My hearing is scheduled for just over TWO WEEKS FROM NOW! I had no idea it would be so fast. Does anyone have an Ativan?
I had to run over to the zoning board to pick up this sign this morning (late for work) and it needs to be posted on the front of my house for two weeks before the hearing and until I get a written decision from the board.

I have an appointment with the Historical Commission tomorrow (leaving early from work) to show them my plans. I'm hoping they like them and will write a letter of recommendation to the board. I've been taking a bunch of photos of other houses on the street that have a close setback to show that such a violation can still look nice. Actually I think the closeness adds to the historical character, don't you think?
Close and beautiful.
Closer and beautiful. (I think mine will be pretty close to this.)
You can't get much closer than this one.
This is one of my favorite houses.
Pretty darn close. I love that they painted their entire entryway black. I think it's really handsome.
Now this is just ridiculous. This makes me want to get on the board so I can I reject it. The paint doesn't even match. That should be some kind of violation right there.
Close and perfectly lovely.

Close and pink. Very pink. I probably wouldn't pick the paint but it does look pretty for the one week the tree is in bloom.And while I was taking pictures, I thought I snap a few quick ones of the garden so you can see how it's shaping up. On the back (chain link) fence of my neighbor's, they have an autumn clematis. I asked them if I could trim it. By the time I was done, there was almost nothing left. Oops.
And now it's all cut back, I kind of like seeing through it a little bit. Wouldn't something like an espaliered apple be cool?

Saturday, May 1, 2010

Variance Application Filed

I skipped out of work early yesterday to go file the variance application for my porch. So if I've done everything correctly, the process is under way and I'll have my hearing within the next 65 days as required by law. I'm hoping to be able to show real photos of the exterior work in progress soon but I don't want my porch inspiration photos to go to waste.

While you enjoy the photos, I'll bore you with my little story of talking to my last abutting neighbor and going to file my application...or you can just look at the pictures!
About four years ago my neighbor renovated her house inside and out and restored the front porch she found in an old photo of the house from about the 1920s. She said she was very nervous about the hearing so she went with her architect and her family. Once her hearing was called, she was calmed to hear that three neighbors had sent in letters of support...
(Love the green ceiling on this porch.)

...but there was also one letter of opposition. (gasp.)

The letters of support and one letter of objection were read into the record. They did not read the name of the naysayer but from the content she could tell that it was the neighbor immediately next door (two doors down from me). She did end up getting her variance but opposition wasn't something that she was prepared for. And she was a little hurt that nothing was said beforehand. I'm a little shocked myself but at least I'm informed and I leave this meeting with the promise of another letter of support.
But now Objecting Neighbor has me a little worried. She has been extremely complimentary to all of the improvements I've made. I've caught her admiring my garden. She even tells her dog not to pee on my lawn. But now I'm wondering what kind of monster she really might be! I wonder whether or not under the protection of anonymity, a nice neighbor turns nasty. She'll probably get a notice from the city but, if not, I have to post this HUGE "Public Notice" sign on my house, like some big Scarlet Letter, advising passersby that I'm seeking relief from the zoning ordinance.
So back to yesterday. I go to the building department between 3:30 and 4:30 (just as required) to find three lines of people: one for building permits, one for demolition permits and one for variances. I'm second in the variance line. The two people in front of me I believe are a homeowner and his architect trying to find out how to word their application for a nonconforming addition so it will be "better received." Are you kidding me? They debated options back and forth for what seemed like a half hour. I'm expecting any minute to be told "Sorry, we're done. You'll have to come back tomorrow."

But finally "Unprepared Duo" decided to go with the wording they had and they stepped aside so I could more forward. "Buddy, what I can do for you?" "I'm here to submit my application for a variance to build a historical front porch." "Are you the architect?" "No, I'm the homeowner." "Who filled out this application?"

Hmm. Is this a trick question? "My architect and I did it together."

I must have passed the test because he took my three-ring binder with each response item perfectly tabbed in the same order that the Application Checklist set forth.

"Have you been to Historical?" "No, do I have to?" "Yup. They just need to sign off on the fact that it's not a historic property or that you're in a historic district."

Actually it was great that I had to go to the Historical Commission because I got to ask if, once I got my hearing date, I could make an appointment to show the Director my plans. If he likes the plans, he will write a letter to the Zoning Board supporting my application. I'm sure Historical Commission outweighs Objecting Neighbor. They tell me to call and make an appointment.

Five minutes later I'm done at the Historical Commission and I head back downstairs where I pass in my application, my blueprints, my Historical Commission seal of approval and my application fee of $120. And I'm on my way...to wait.

Boy, these ladies are annoying. I don't know why they keep hanging out on my front porch inspiration photo. It's hard for me imagine myself hanging out here when they won't leave. I wish they would go away.

So the weekend is here and I think I need to talk to Objecting Neighbor. I think I'll invite her over coffee and scones, show her the plans, look into the face of the monster and ask for her support. She couldn't possibly write a letter of objection after having one of my famous blueberry scones, could she? They're chock full of blueberries, just the right amount of lemon zest and a little crunch of crystalized sugar on the top. Surely she'll be impressed with my use of parchment paper too.

Maybe she would prefer tea.

I'll have pull out the good china just in case monsters like tea.

Have a great weekend!

Credits 1.,5. Martha 2. This Old House 3.,8. Country Living 4. Coastal Living 6. Evan Sklar 7. Appraisal.com; 9. Rosie's Whimsy 10. Southern Living

Monday, April 26, 2010

Fruitful Weekend

It's amazing what can happen in the garden in one day. From Saturday to Sunday, my aubergine irises burst into bloom...
...and my Lily of the Valley also started to open up. Boy, it's amazing how one whiff of this takes me back to a 5-year-old kid at my grandmother's house.
I spent most of the day in garden so I could "bump into" my neighbors and talk to them about my front porch plans. I didn't want to just leave notes in mailboxes, I wanted to talk to everyone in person. I also made up packages for everyone so they can see exactly what I plan to do with the house.


I gave everyone a copy of the street elevation from the blueprints. It's kind of tough to see all details so I also showed them this diagram from a book put out by the Cambridge Historical Commission on taking care of your old Cambridge house.


The book, which is actually really informative, shows in detail what kinds of doors and windows each house style should have, styles of fences, how to build stairs, how the apron around a porch should look...

...and this diagram shows all the components of the top of a Greek Revival pediment.

Here's a photo of my house from that same straight-on view seen in the diagrams. You can almost see what it's supposed to be. It's hard to get this photo because there's almost always someone parked in front.

I also gave everyone a copy of this 1876 drawing of my house so they could see that, indeed, a porch once stood at the front of the house. This was fun for everyone to see because many of their houses are also on the page and no one had seen it before.

But, I'll admit, it's kind of hard to see what it will look like from the diagrams. Everyone responded most to this photograph. This is a house (that I've posted before) in the neighborhood but it's acutally a mirror image of mine and very close in scale. So I flipped the photo with my photo editor so the door is on the same side as mine.

I let everyone walk away with a copy of these images and asked if they like my plan, to please write a letter of support when they get a letter from the City about my hearing. Everyone seemed not only supportive but excited about the plan. My application is done and I should be filing it within the next two days. Having an opponent can make things difficult so it's nice knowing that everyone around me seems so supportive.

Now I can refocus my efforts on finding a contractor.